Adobe director 11 review
- #ADOBE DIRECTOR 11 REVIEW FOR MAC#
- #ADOBE DIRECTOR 11 REVIEW PRO#
- #ADOBE DIRECTOR 11 REVIEW PLUS#
- #ADOBE DIRECTOR 11 REVIEW MAC#
- #ADOBE DIRECTOR 11 REVIEW WINDOWS#
The Guided section is where you’ll find Guided Edits, which walks users through complex effects step-by-step. Adjustment is where Raw files are processed alongside other popular formats. Library is for image organization, including face recognition.
There’s a lot to account for, but the logical layout divides the interface into six distinct categories: Library, Adjustment, Guided, Edit, Create, and Print. CyberLink PhotoDirector 12 Ultra: InterfaceĬyberLink is famous for cramming a huge number of features into a fun, easy-to-use interface. It requires an Intel Core i-series or AMD Phenom II and above, 128 MB VGA VRAM or higher, and 4GB of RAM.
#ADOBE DIRECTOR 11 REVIEW MAC#
On the Mac side, you will need macOS 10.13, 10.14, or 10.15.
#ADOBE DIRECTOR 11 REVIEW WINDOWS#
You will need a 64-bit system running Microsoft Windows 10, 8/8.1, and 7.
#ADOBE DIRECTOR 11 REVIEW FOR MAC#
PhotoDirector 12 Ultra is available for Mac and Windows and can run quite well on older systems. So look for more presets and encoding efficiencies in future versions.CyberLink PhotoDirector: System requirements So what we saw around the Olympics both in the UK and US was a nice validation.
#ADOBE DIRECTOR 11 REVIEW PLUS#
NBC has honed their second screen-experience dramatically over the years, particularly with Sunday Night Football, which is designed to augment-not replace-the TV viewing experience.Īdobe has been pounding the multiscreen drum for a while now as you know, we added many mobile-oriented presets to CS6, plus parallel H.264 encoding when rendering a single source file to multiple renditions. If all the video that was watched was viewed consecutively, it would take over 7,000 years to complete. The BBC's overall numbers were staggering- they reported 55 million global browsers and 12 million devices requesting and 106 million video requests across the platform. They also liked the greater selection offered online, which incorporated up to 24 different streams, and features like chapter marking, which allows viewers to revisit content like Usain Bolt's 100m win, which was clicked 13,000 times.
Viewers wanted to be in the moment in the live event on the big screen and use the second screen to catch up.ĭata from BBC blog post on Olympic viewing. They tracked viewership through the day, and found that the primary consumption platform was the computer during the day, with mobile during commute and evenings with tablet viewing along side the big-screen TV in the living room. The BBC, which is one of our strategic customers, and treated the 2012 Games as inflection point to make a technology statement and create a strong second-screen experience.
Roberts: We thought it was interesting how the Olympics really created a focus on the second-screen experience. The Second-Screen Experience SMP: What other big trends do you see impacting the Creative Suite going forward? We just tell our users they need faster hard drives. Roberts: Fortunately, because we designed all of our products to optimize editing in native formats regardless of frame size or frame rate, it's simple to add support for most new 4K formats as vendors release them. SMP: How will this drive CS6 development? Lots of producers who came by our booth at Inter BEE were very excited about Prelude and our 4K support. When these producers move to 4K, they'll need a file-based workflow, which we first added to CS6 via Adobe Prelude.
Japan is primed for a move to 4K as they adopted HD early back when it was driven by tape-based formats. Panasonic recently announced that they were dropping their 3D TV sets, while Sony announced that they were rolling out 4K sets. It's pretty clear that the 3D craze for the home is dying down. There we showed 4K workflows with JVC and Sony. Adobe just finished exhibiting at Inter BEE in Japan, which is similar to NAB here in the States. 4K SMP: What trends do you see driving the next few releases of the Creative Suite? Roberts: One that's front-of-mind is the adoption of high-frame rate 4K formats for acquisition.
#ADOBE DIRECTOR 11 REVIEW PRO#
As you might suspect, the conversation veered into topics like the success of the Creative Cloud, and Apple Final Cut Pro X.Īdobe Director of Video Project Managament Bill Roberts 3D vs. Recently, I chatted with Bill Roberts, Adobe's Director of Video Project Management, about the trends impacting the future direction of the Creative Suite for video professionals, which should see another significant release around mid-2013, based on Adobe's 12–18-month release cycle.